Stage Left, Stage Right – The Heavens & Hell: Embodied Meaning & Memory in Performance/
Material type:
ArticlePublication details: Wiley, 2020.Description: Vol 90, Issue 6, 2020:( 22-27 p.)Online resources:
In:
Architectural designSummary: Former Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four-dimensional space that demands and allows communication with, and between, a thousand different points of view.
| Item type | Current library | Collection | Vol info | Status | |
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E-Journal
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Library, SPAB | E-Journals | v. 90(1-6) / Jan-Dec 2020 | Available |
Total holds: 0
Former Artistic Director of the Royal Shakespeare Company Michael Boyd proposes an analogy between the ‘thrust’ stage and the human brain. On the thrust stage, he suggests, the actor holds the centre of the auditorium, in creative tension with the complex ‘mind’ of a four-dimensional space that demands and allows communication with, and between, a thousand different points of view.
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