Critical ethnography method, ethics, and performance /
by D. Soyini Madison
- 2nd ed.
- New Delhi, Sage Publication. 2012:
- xiv, 285 p.
Preface Acknowledgments Chapter 1 " Introduction to Critical Ethnography: Theory and Method Defining Terms: What Is the Critical in Critical Ethnography? Dialogue: Virtues and Challenges The Method and Theory Nexus Key Terms Warm-Ups Chapter 2 " Methods: "Do I Really Need a Method?" A Method ... or Deep Hanging Out? "Who Am I?" Starting Where You Are "Who Else Has Written About My Topic?" Being a Part of an Interpretive Community The Power of Purpose: Bracketing Your Subject Preparing for the Field: The Research Design and Lay Summary The Interview Formulating Questions Questions to Get Started: Experience, Opinions, Feelings, and the Senses Creativity, Questions, and Three Favorites Memory and the Oral History Interview Rapport: How and What Is This Between Us? Coding and Logging Data A Biomimetics of Ethnography Warm-Ups Chapter 3 " Three Stories: Case Studies in Critical Ethnography Case 1: Local Activism in West Africa Case 2: Secrets, Sexuality, and Oral History Case 3: Community Theatre: Conflicts and Organization Warm-Ups Chapter 4 " Ethics Ethics Is . . . Ethics, Faith, and Environmental Activism The Question of Freedom Maria Lugones: Contemporary Ethics, Ethnography, and Loving Perception Summary Warm-Ups Chapter 5 " Methods and Application: Three Case Studies in Ethical Dilemmas Case 1: Local Activism in West Africa Case 2: Secrets, Sexuality, and Oral History Case 3: Community Theatre: Conflicts and Organization Warm-Ups Chapter 6 " Performance and Performed Ethnography Foundational Concepts in Performance and Social Theory Utopian Performatives The Performance Interventions of Dwight Conquergood Staging Ethnography as Performed Ethnography Autoethnography and/or Reflexive Ethnography Autoethnography in Performance as Critical Reflections Warm-Ups Chapter 7 " It's Time to Write: Writing as Performance Getting Started: In Search of the Muse The Anxiety of Writing: Wild Mind and Monkey Mind Writing as Performance and Performance as Writing Warm-Ups Chapter 8 " The Case Studies Case 1: Staging Cultural Performance Case 2: Oral History and Performance Case 3: Fieldwork and Social Drama Warm-Ups References Index About the Author