| Formatted contents note |
Contents :<br/>1851-1875--<br/>1852: Henry Cole, "On the International Results of the Exhibition of 1851"--<br/>1852: Horatio Greenough, "The Law of Adaptation"--<br/>1853: John Ruskin, "The Nature of Gothic"--<br/>1856: Owen Jones, Grammar of Ornament--<br/>1867: Karl Marx, "The Capitalist Character of Manufacture"--<br/>1868: Charles Eastlake, Hints on Household Taste--<br/>1873: Christopher Dresser, Principles of Decorative Design--<br/><br/>1876-1900--<br/>1877: William Morris, "The Lesser Arts"--<br/>1882: Lewis Foreman Day, "To Ladies and Amateurs"--<br/>1893: Candace Wheeler, "Decorative and Applied Art"--<br/>1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture"--<br/>1899: Thorstein Veblen,"Pecuniary Canons of Taste"--<br/><br/>1901-1925--<br/>1901: Frank Lloyd Wright, "The Art and Craft of the Machine"--<br/>1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstätte"--<br/>1908: C. R. Ashbee, Craftsmanship in Competitive Industry--<br/>1909: Filippo Tommaso Marinetti, "The Foundation and Manifesto of Futurism"--<br/>1910: Adolf Loos, "Ornament and Crime"--<br/>1911: Hermann Muthesius, "Aims of the Werkbund"--<br/>1911: Frederick Winslow Taylor, The Principles of Scientific Management--<br/>1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914--<br/>1919: Christine Frederick, "The Labor-Saving Kitchen"--<br/>1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar"--<br/>1922: Theo van Doesburg, "The Will to Style"--<br/>1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists"--<br/>1923: Le Corbusier, "Eyes Which Do Not See: Automobiles"--<br/>1925: Helen Appleton Read, "The Exposition in Paris"--<br/>1926-1950--<br/>1928: Henry Ford, "Machinery, The New Messiah"--<br/>1930: Fortune, "Color in Industry"--<br/>1930: Sigmund Freud, Civilization and Its Discontents--<br/>1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is"--<br/>1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art--<br/>1934: Norman Bel Geddes, "Streamlining"--<br/>1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan"--<br/>1936: Fortune, "What Man Has Joined Together..." --<br/>1940: Harold Van Doren, "The Designer's Place in Industry"--<br/>1941: Eliot Noyes, Organic Design in Home Furnishings--<br/>1950: Edgar Kaufmann, jr., What is Modern Design? --<br/>1951-1975--<br/>1951: Raymond Loewy,"The MAYA Stage"--<br/>1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy"--<br/>1955: Henry Dreyfuss, "Joe and Josephine"--<br/>1958: Program of the Hochschule für Gestaltung, Ulm--<br/>1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate"--<br/>1963: Ann Ferebee, "Is Industrial Design Color Blind?" --<br/>1964: Edward Carpenter, "Statement: The Designing Women"--<br/>1965: Ralph Nader, Unsafe at Any Speed--<br/>1966: Robert Venturi, Complexity and Contradiction in Architecture--<br/>1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth--<br/>1971: Victor Papanek, Design for the Real World--<br/>1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages"--<br/><br/>1976-2000--<br/>1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities"--<br/>1984: Klaus Krippendorff and Reinhart Butter, "Product Semantics: Exploring the Symbolic Qualities of Form"--<br/>1984: Barbara Radice, "Memphis and Fashion"--<br/>1984: Dieter Rams, "Omit the Unimportant"--<br/>1985: The Japan Management Association, "Just-In-Time at Toyota"--<br/>1988: C. Thomas Mitchell, "The Product As Illusion"--<br/>1990: Americans With Disabilities Act (U. S. Public Law 101-336) --<br/>1991: Kenichi Ohmae, "Global Products"--<br/>1992: David H. Rice, "What Color Is Design?" --<br/>1996: Charles Jencks, "The Post-Modern Information World and the Rise of the Cognitariat"--<br/>1998: Kenji Ekuan, "Japanese Aesthetics"--<br/>1999: Hartmut Esslinger, "Frog Stands For..."--<br/>1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era"-- |
