Museums and the Embodied Mind: (Record no. 13762)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01095nab a2200181 4500 |
| 005 - DATE & TIME | |
| control field | 20230714152136.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 230714b |||||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Smith, Barry C |
| 245 ## - TITLE STATEMENT | |
| Title | Museums and the Embodied Mind: |
| Sub Title | Sensory Engagement with Artworks and Architecture/ |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Name of publisher, distributor, etc | Wiley, |
| Date of publication, distribution, etc | 2020. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pages | Vol 90, Issue 6, 2020:( 88-93 p.). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | A museum or gallery is usually thought of as a space containing objects arranged in a chosen way. Understanding the multisensory factors that modulate an audience's experiences of artworks in their settings offers museum curators and architects opportunities to enhance visitors’ sensory engagement with their collections. Barry C Smith, Director of the Institute of Philosophy, Centre for the Study of the Senses, School of Advanced Study, University of London, considers a number of ways this can happen. |
| 773 0# - HOST ITEM ENTRY | |
| Host Biblionumber | 8720 |
| Host Itemnumber | 16908 |
| Place, publisher, and date of publication | West Sussex John Wiley & Sons Ltd. 1999 |
| Title | Architectural design |
| International Standard Serial Number | 0003-8504 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | https://doi.org/10.1002/ad.2636 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | E-Journal |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| -- | 55776 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| -- | ddc |
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